Minggu, 26 Februari 2012

[Y560.Ebook] Ebook Methods Of Tissue Engineering, by Atala A.

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  • Sales Rank: #5774129 in Books
  • Published on: 2006
  • Original language: English
  • Dimensions: .0" h x .0" w x .0" l, 5.97 pounds
  • Binding: Paperback

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Kamis, 23 Februari 2012

[Y504.Ebook] PDF Download No Logo : Taking Aim at the Brand Bullies, by Naomi Klein

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No Logo : Taking Aim at the Brand Bullies, by Naomi Klein

  • Sales Rank: #11688541 in Books
  • Published on: 2009-12-01
  • Binding: Paperback
  • 502 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
Well-researched, yet undermined by 2nd portion's lack of focus.
By Solo
No Logo is a surprisingly well-researched book, if you can get past the obvious contradiction on the front cover and binding of this major-label production. Whether the "All Rights Reserved" copyrighted logo is meant to be ironic or merely obligatory concessions to the publishing house, it still reflects Klein poorly: either as a powerless pawn or else having a bad sense of humor.

Purely on content, however, as all books should be judged, No Logo quickly shows you this is no left-wing, hippie diatribe of over-generalization, with facts shunted to the wayside. Instead, it reads like a well-planned documentary, meticulously annotated and researched. Klein masterfully identifies the root problem of laissez-faire economics, market-oriented policies, and capitalism in general. For those of us who are a bit slow to comprehend the dramatic shift that has taken place in the free-market business world, Klein neatly diagrams the subtle and not-so-subtle shifts the private, for-profit sector of mainstream business has taken in its quest to orient away from developing products and focus on the development of brands. This paradigmatic shift has launched a new era of capitalism, changing it drastically from our predecessors' definition.

Klein maps out the expansion of advertising into all aspects of human life, the lack of "unbranded space", the Borg-like assimilation process that marketing initiates, devouring all niches, reactions, backlashes and resistance. With this process of lifestyle branding and perpetual advertising adaption, Klein shows the effects of this system of separation of brands and products. She details the flood of franchising, corporate mergers, private-sectors profit-maker's censorship, outsourcing, the exploitation of third-world labor, the creation of "McJobs" inside service economies and the growth of temporary labor and permanent "freelancing".

Klein derails, however, in her attempts to document the anti-corporate activist movement. What has been so far a masterful critique of globalization and corporatism focuses instead on grassroots activism and culture jammers. She spends almost one hundred pages describing (without unqualified praise, to her credit) underground rings of vandals and lone "anti-brand" guerrillas who deface corporate advertising by some irrational belief that their actions will persuade mainstream, moderate Westerners to change their consumption habits to ones approved by vigilantes drawing skulls and rewriting logos. If her discussion of them is to document an overall noble and worthy cause (that is, anti-corporate resistance), then addressing culture jammers in anything but a negative light only serves to tarnish an up until now, very polished presentation. Along with eliminating this episode, Klein would do her cause service by eschewing her description of RTS's absurdities in favor of a more detailed assessment of collectives and people's movements, such as the Zapatistas: uprisings that are rooted firmly in the reality of economics and egalitarian living-- rather than the short-term frivolity of dangerous quasi-riots, or the childish response of throwing pies at CEOs.

Klein also fails to precisely pinpoint what exactly her target is. She explains that it is more than attacking branding; it is about citizenship, not consumerism. Neither is it about attacking corporations via purchasing power. She explains much about activists' activities, but by the time she concludes her narrative, she has done little to address what exactly is the goal-- besides her vague wish for "unbranded spaces". The afterword (written in 2002) perhaps provides a better insight into what she was getting at when she talks about egalitarian movements and non-homogenization.

No Logo is an excellent book if one is interested in learning the largely ignored facts about branding, advertising, and labor politics; it is not a very convincing polemic for those skeptical of non-privatized solutions. With the debilitating portrayal of culture jamming and RTS as equals to the more mature approaches of student and political organizations described, No Logo undoes itself in short order; easily dismissed by those of the conservative persuasion. Although Klein does cover the anti-globalization movement with a broad, documentary-style brush, the pages of No Logo lack cynosure towards social cooperative, collective solutions, feeling reactionary more than inspirational.

0 of 0 people found the following review helpful.
a keeper, wish i had this in hardbound.
By john r
this book is an excellent read for people trying to understand how modern marketing and branding works. Naomi answers a lot of questions about what brands are, why theyre important, how they work, and the consequences of them. I spent the first 5 chapters absolutely crucified by rage however, as her examples are very familiar.

0 of 0 people found the following review helpful.
Read it 2012
By Evelyn Waugh
As I just read this book, it didn't have the same impact it may have in 1999. Klein is almost optimistic about the changes she was seeing. However, 13 years later and addidas is still getting in trouble for using sweatshops to make clothing for the Olympics... Not much has changed. I didn't necessarily agree with her denouncement of advertisements, because in a way it seems a good advertisement is a form of art... but in general I felt pretty sad that we do this to the third world. Its important that we hold corperations responsible for the treatment of their workers in the third world...

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Senin, 20 Februari 2012

[S358.Ebook] Ebook Free Goldilocks and the Three Bears, by Gennady Spirin

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Goldilocks and the Three Bears, by Gennady Spirin

Gennady Spirin has taken a favorite childhood tale and imbued it with charm, dressing his bears in Renaissance costumes and providing whimsical and charming furniture designed for their country dwelling. Each spread—painted in watercolor, pen, and ink—brings renewed life to this endearing children’s classic in a way that only a master illustrator can. No wonder Goldilocks want to sample the bears’ porridge, sit on their chairs, and rest on their beds!

  • Sales Rank: #204303 in Books
  • Brand: Brand: Two Lions
  • Published on: 2009-03-01
  • Released on: 2009-03-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.60" h x .50" w x 9.10" l, 1.05 pounds
  • Binding: Hardcover
  • 32 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
In his adaptation of the Goldilocks story, Spirin's (The Lord Is My Shepherd) lush colored pencil and watercolor spreads are as elaborate as the text is simple. Against white backdrops, Goldilocks and the bears are drawn in great realistic detail, along with judicious use of ornate setting details and delicate page ornamentation. These bears have fierce claws and teeth, but their apparel is nothing short of royal, dotted with jewels and pearls, and trimmed with feathers and gold. The text, conversely, is completely free of metaphors or complex sentences, the story stripped to its tag-line essence: "Who's been sitting in my chair?" asks each bear parent as Little Bear laments, "My chair's broken!" The suspenseful scene as the bears find Goldilocks asleep in Little Bear's well-appointed bed is followed by an abrupt illustration in which Goldilocks runs away, looking more gleeful than terrified, as each of the bears says, "Bye," and the narrator informs the reader, "And that's the end of the story!" Goldilocks' face doesn't always transmit her emotions clearly, but overall this is an enchanting-visually, at least-version. Ages 3-7.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal
PreSchool-Grade 2—Spirin's version of this classic pairs a simple, straightforward retelling with lush Renaissance costumes and elegant page designs. The bears, rendered in watercolor and colored pencil, are solid, realistic creatures, revealing sharp teeth and claws. Papa and Mama Bear, generally appearing together in their fur-trimmed garments, dominate their vertical space—in contrast to their diminutive son. The setting is created with richly realized essentials: solid porridge bowls, carved chairs, ornate beds, a massive stucco and wood-trimmed dwelling. Expansive white space surrounds the characters on most spreads, with embellished lines creating decorative, horizontal borders on selected pages. The creatures seem to regard their intruder more as a curiosity than a criminal; as the golden-haired child runs away down the path, they simply wave and call out their farewells. A source note concludes the text. The Goldilocks shelf is crowded; readers can turn to James Marshall for humor, Jan Brett for details, Valeri Gorbachev for whimsy, and Jim Aylesworth for Victorian, to name but a few. This newcomer will be embraced for its visual clarity and sumptuous style at storytimes and bedtimes alike.—Wendy Lukehart, Washington DC Public Library
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Retelling the familiar nursery tale, Spirin retains its brevity and much of its charm. The artwork dresses the characters in elaborate Renaissance costumes and occasionally places them before fully painted backdrops but usually shows them and a few props (bowls, chairs, beds) as cutouts against clean, white backgrounds. Since the style of Spirin’s watercolor and colored-pencil artwork is relatively sophisticated and richly detailed, this technique makes the pictures clearer and more accessible to young children. The bears have great physical presence, and unlike those in most dressed animal tales, here they seem quite wild—inhuman and untamed—for all their elegant trappings. Goldilocks is a pretty blond charmer with an occasional frozen, toothy smile reminiscent of a first-grader facing the lens on school picture day. An appended note provides a brief history of the story, noting changes in several versions from 1831 to 1904. Although many fine editions are available today, this nicely designed book would be a handsome addition to larger collections. Preschool-Grade 2. --Carolyn Phelan

Most helpful customer reviews

7 of 8 people found the following review helpful.
Exquisite
By OutlawPoet
First, you should know that this is a very basic and traditional retelling of Goldilocks. If you are looking for something updated or humorous, you'll want to keep looking.

However, the story as it stands is still perfect, just the way it was when we grew up. But it's supplemented by some of the most exquisite illustrations I've seen lately in a children's book. The book is a work of art that simply begs to be kept on the nightstand, rather than shoved in a book case with the rest of your child's books.

I thought at first that my daughter might be too young to appreciate the beauty of the book, but she loves it. The illustrations are incredibly detailed and she loves picking out little things she didn't notice the first time we read the book.

This just might be one of those heirloom books that we'll pass on to the next generation as well.

Simply beautiful!

3 of 3 people found the following review helpful.
beautiful artwork
By Maggie
You'll want to slow down and study the illustrations. There are so many visual statements. My six year old and I laughed at the ridiculous. We oohed and aahed at the beautifully rendered characters and their surroundings. This was a fun picture book. .

2 of 2 people found the following review helpful.
Basic re-telling of the story with washed out but elaborate illustrations
By iiiireader
This version of Goldilocks and the Three Bears is a stripped down and basic re-telling of the story. There are no elaborations or new twists as far as the tale goes. The price point is kind of high and I am assuming that it is because of the illustrations. While many have liked those, I find them a bit washed out and kind of cut and paste photoshop feel to them. I would have liked to have seen some form of background to given a richer feel to the illustrations but instead they are placed on a white page in a cut out form. The colors could have been richer given that the illustrations put the story in the Renaissance. It is an okay book but one which could have been better given the price.

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Kamis, 16 Februari 2012

[V811.Ebook] PDF Ebook Two Leaves and a Bud, by Marjorie Cross

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Two Leaves and a Bud, by Marjorie Cross

  • Published on: 1959
  • Binding: Paperback

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Senin, 06 Februari 2012

[B704.Ebook] Free Ebook Colors for Modern Fashion, by Nancy Riegelman

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KET BENEFIT: CFMF teaches the skills and techniques that enable new ideas for fashion to be communicated with precision and flair, showing the way forward for a new generation of fashion designers. CFMF teaches how to draw fashion using colored markers, a medium that is easy to use, convenient, inexpensive and easy to learn. CFMF includes step-by-step drawings and photo sequences as well as clear and complete textural explanations that provide all the technical information and expert guidance needed to draw all types of modern garments. Photos of actual applications of technique with accompanying text. Unprecedented in linking fasion and Color/Design theory and illustrating the concepts using examples from fashion. Explains how to use color effectively in defining the tones used on the face, body and hair, for all skin tone colors and hair types. Shows how to draw garments of every type of a wide range of different fabrics. Designed to be used by readers of all levels of ability. Also an invaluable source of reference, inspiration and pleasure to everyone interested and involved in modern fashion.

  • Sales Rank: #903854 in Books
  • Published on: 2006-04-29
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 13.10" h x 1.50" w x 9.10" l, 6.33 pounds
  • Binding: Flexibound
  • 512 pages

About the Author

Nancy Riegelman teaches fashion drawing and international design at Art Center College of Design in Pasadena, California and the Fashion Institute of Design and Merchandising in Los Angeles, California. She is also a fine artist and has authored numerous books on fashion drawing and design. She lives in Los Angeles, California. 

Most helpful customer reviews

13 of 14 people found the following review helpful.
Nancy has done it again! What a great book!
By Poodle Person
This is Nancy's 2nd book and is it ever great. The illustrations are marvelous. The techniques she discusses are easy to understand and use. I stayed up all night just looking at the beautiful drawings. This is definitely a must have for all illustrators and for people who love to draw.

6 of 7 people found the following review helpful.
GREAT FOR RENDERING - A LITTLE DISORGANISED
By John R. Pountney
The best recommendation for this text would be to break up the book into particular sections on rendering different types of fabrics first; and then doing full body/outfit examples. All the info is here and a definite companion to 9 HEADS but not recommended for beginners. Its great if you have back knowledge of fabrics and drawings but would be very confusing for those just starting out.

Overall, 4 stars, the info's all there, you've just got to go searching for it.

11 of 11 people found the following review helpful.
styles of contemporary clothing and how to illustrate them
By Henry Berry
"Colors for Modern Fashion" is a thorough, outstanding course on fashion drawing by an author who is a teacher of this commercial art at the Fashion Institute of Design and Merchandising in Los Angeles and teacher of international design at the Art Center College of Design in Pasadena, CA. Riegelman goes well beyond the typical approach of instruction on general techniques and attention to specifics of clothing such as, say, sleeves or collars. She surely does cover all the basics and all the types of clothing (e. g., women's, children's)--but it is the way she does which distinguishes this manual. The first thing that strikes one is the vibrant colors and the stylish shapes of the garments. Anyone involved in the field of fashion knows how important this is in getting attention for designs. Also, in places the author uses examples of entire outfits and parts of them from top fashion designers as references for discussion and practice. A "full-pleated silk dress with wide lace trim" designed by Christian Lacroix is used as one example and exercise. There's other fashion clothing by Armani, Prada, Issey Miyake, Russell Sage, and many other top designers similarly pictured for other areas of instruction. This is especially instructive and useful. It informs readers about the details of the designs of the masters while teaching the techniques of drawing, so that the book is in some way a course on fashion design as well as drawing. Riegelman knowledgeably and succinctly discusses fabrics and their characteristics, colors, and features of models which would accentuate particular pieces of clothing. The abundance of such touches makes one feel in the know about the field to a certain degree rather than simply learning about fashion drawing from conventional examples and exercises. The many colorful, vibrant, stylish fashion illustrations of clothes and details of them on mannequin-like figures are a treat in themselves, like looking at a classy, engrossing window display of a fine clothing store. And of course such handsome, skilled fashion illustrations are inspiration for aspiring fashion artists.

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Jumat, 03 Februari 2012

[K132.Ebook] PDF Ebook Computer Relaying for Power Systems Seceond Edition, by FEI KE (Arun G.Phadke)

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Computer Relaying for Power Systems Seceond Edition, by FEI KE (Arun G.Phadke)

  • Published on: 2000-01-01
  • Binding: Paperback

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Rabu, 01 Februari 2012

[E689.Ebook] Free PDF Flood Resistant Design and Construction ASCE/SEI 24-05, by ASCE

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Flood Resistant Design and Construction ASCE/SEI 24-05, by ASCE

ASCE/SEI Standard 24-05 provides minimum requirements for flood-resistant design and construction of structures located in flood hazard areas. This standard applies to new construction which includes: (a) new structures including subsequent work to such structures, and (b) work classified as substantial repair or substantial improvement of an existing structure that is not an historic structure. This Standard is a revision of ASCE/SEI 24-98. Topics include • Basic Requirements for Flood Hazard Areas • High Risk Flood Hazard Areas • Coastal High Hazard Areas and Coastal A Zones • Materials • Dry and Wet Flood Proofing • Utilities • Building Access • and Miscellaneous Construction.

  • Sales Rank: #1116137 in Books
  • Published on: 2005-09-01
  • Original language: English
  • Dimensions: 11.25" h x 8.75" w x .25" l,
  • Binding: Paperback
  • 80 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
It's a code
By my opinion
Do you really have a choice when rating a Code? The book arrived on time and as expected.

0 of 0 people found the following review helpful.
Five Stars
By James Irvine
Exactly what I was looking for.

0 of 0 people found the following review helpful.
Five Stars
By Wesley Grant III
what I needed

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[U941.Ebook] Download Ebook The Atlantis Gene: A Thriller (The Origin Mystery, Book 1), by A.G. Riddle

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The Atlantis Gene: A Thriller (The Origin Mystery, Book 1), by A.G. Riddle

Read the novel that started it all. The Atlantis Gene is the first book in The Origin Mystery, the global bestselling trilogy that is now in development to be a major motion picture.

Over 2,000,000 copies sold worldwide * Translated in 23 languages * Published in 32 countries
_____________________________________________________

THE GREATEST MYSTERY OF ALL TIME...
THE HISTORY OF HUMAN ORIGINS...
WILL BE REVEALED.
_____________________________________________________

70,000 years ago, the human race almost went extinct.
We survived, but no one knows how.
Until now.
The countdown to the next stage of human evolution is about to begin, and humanity might not survive this time.
_____________________________________________________ 

The Immari are good at keeping secrets. For 2,000 years, they have hidden the truth about human evolution. They have also searched for an ancient enemy--a threat that could wipe out the human race. Now the search is over.

Off the coast of Antarctica, a research vessel discovers a mysterious structure buried deep in an iceberg. It has been there for thousands of years, and something is guarding it. As the Immari rush to execute their plan, a brilliant geneticist makes a discovery that could change everything.

Dr. Kate Warner moved to Jakarta, Indonesia to escape her past. She has yet to recover from what happened to her, but she has made an incredible breakthrough: a cure for autism. Or so she thinks. What she has found is far more dangerous--for her and the entire human race. Her work could be the key to the next stage of human evolution. In the hands of the Immari, it would mean the end of humanity as we know it.

Agent David Vale has spent ten years trying to stop the Immari. Now he has run out of time. His informant is dead. His organization has been infiltrated. His enemy is hunting him. But when David receives a coded message related to the Immari attack, he risks everything to save the one person that can help him solve it: Dr. Kate Warner.

Together, Kate and David must race to unravel a global conspiracy and learn the truth about the Atlantis Gene... and human origins. Their journey takes them to the far corners of the globe and into the secrets of their pasts. The Immari are close on their heels and will stop at nothing to obtain the research Kate has done and force the next stage of human evolution--even if it means killing 99.9% of the world population. David and Kate can stop them... if they can trust each other. And stay alive.

_____________________________________________________ 

About
THE ATLANTIS GENE is a thought-provoking technothriller about global genetic experiments, ancient conspiracies, and the mysteries of human evolution. Its complex characters and historical and scientific details will stay with you long after you finish. This fast-paced adventure is the first book in The Origin Mystery Series, the global bestselling trilogy that has sold over two million copies, been translated into 23 languages and published in over thirty countries, and is in development to be a major motion picture.

NOTE: All three books in the trilogy are now available.

Book 1: The Atlantis Gene -- amazon.com/dp/B00C2WDD5I
Book 2: The Atlantis Plague -- amazon.com/dp/B00GR5JZHQ
Book 3: The Atlantis World -- amazon.com/dp/B00JVUQ2H0

  • Sales Rank: #1665 in Books
  • Brand: Brand: Modern Mythology
  • Published on: 2013-04-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.13" w x 6.00" l, 1.56 pounds
  • Binding: Paperback
  • 464 pages
Features
  • Used Book in Good Condition

Review
I was hooked from the opening chapter. The scope of The Atlantis Gene is both enormous and ambitious. It is also confident and assured. --For WinterNights

A compelling novel. A thriller certainly, but one that combines so many factual historical references that the reader is left wondering where facts end and fiction begins. With an unerring sense of drama, the tension ramps up in the final part' --Best Selling Crime Thrillers.

About the Author
A.G. Riddle spent ten years starting internet companies before retiring to pursue his true passion: writing fiction.

His debut novel, The Atlantis Gene, is the first book in The Origin Mystery, the trilogy that has sold over two million copies in the US, has been translated into 23 languages, and is in development to be a major motion picture.

His recently released fourth novel, Departure, follows the survivors of a flight that takes off in the present and crash-lands in a changed world. HarperCollins published Departure in hardcover in the fall of 2015, and 20th Century Fox is developing the novel for a feature film. 

Riddle grew up in a small town in North Carolina (Boiling Springs) and graduated from UNC-Chapel Hill. During his sophomore year of college, he started his first company with a childhood friend. He currently lives in Raleigh, North Carolina with his wife, who endures his various idiosyncrasies in return for being the first to read his new novels. They welcomed their first child, a daughter, on September 2, 2016.

No matter where he is, or what's going on, he tries his best to set aside time every day to answer emails and messages from readers. You can reach him at: ag@agriddle.com


** For a sneak peek at new novels, free stories, and more, join the email list at:
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* * *

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727 of 771 people found the following review helpful.
An exciting new voice in the thiller / action genre
By Donald T.
"The Atlantis Gene" is the debut novel by A.G. Riddle. It's a Science Fiction thriller that combines elements of the lost city of Atlantis, human evolution, Nazis, conspiracy, alien technology, and end of the world scenarios.
The very basic premise (without spoiling anything) is that the human race was on the brink of extinction at one point in the past and somehow, for some unexplained reason, humans made a giant leap forward in the evolutionary ladder that allowed them to not only survive, but to take control of planet Earth. Dr. Kate Warner is a researcher and an expert on human evolution. She is living in Jakarta Indonesia studying and seeking a cure for autism. One day while working on a new treatment with a pair of her autistic children, hooded soldiers move in, ransack the facility, and steal the children. Shortly thereafter, agent David Vale shows up on the scene and he and Kate are sucked into a worldwide race against time to save not only themselves and the children, but quite possibly the whole world.
This book was recommended to me by a friend. He raved about it. Told me it was a "must read". After getting through the first half of the book, I found the story to be solid, but nothing necessarily different or special. As a matter of fact, I was a bit disappointed at how similar certain aspects of the plot were to Jeremy Robinson's "Second World" and James Rollins' "Black Order". And when I say similar, I really mean exactly the same. I even called my friend to tell him that I thought the book was average in every way and was a copy of these other books. I pressed on however and fortunately at about the halfway point, Riddle starts to separate his book from the others. The plot thickens, the characters start to develop, and the plot starts to turn.
The last 25% of this book is pretty fantastic. There are twists that I never saw coming, and characters that I thought were token players that emerge near the end to change everything. After spending much of the first half of the book at a jog, Riddle flips the switch towards the end and the pacing becomes very quick, and the action and story become intense. The book ends with a refreshingly satisfying cliffhanger - just the right balance of closure versus setup for the next book.

Riddle's first novel is not perfect. The first half of the book should have been cut down some. There are places where the story drags just a little bit. I'm certain that those are minor issues that Riddle will get worked out as he continues to write. All in all, he has given himself a very solid foundation to build from, and I feel certain that his popularity will only grow after this first very solid effort.

612 of 674 people found the following review helpful.
Perfect Mash-up of History and Science!
By Holly Y
This book was written for me, I swear. I just finished it after 3 days of neglecting everything else in my life, and thought, "Finally, the powers that be created a story teller who is capable of writing 500+ pages in which every single word is completely to my tastes."
The history and the theories behind evolution, religion, autism, Atlantis...well I'm a complete sucker for all of that and Riddle played them perfectly. He wove together several different theories and myths that many people wouldn't associate but it's incredibly believable and makes you want to put your thinking cap on and theorize right along with him.
The science portions of the book were incredibly understandable and seemingly accurate. Whether you're a geek or have never watched or read anything "sciency" you'll understand it and it will fascinate you.
The writing style is so swift and yet easy going at the same time. The book moves you right along, yet everything is well explained. There are some funny one-liners in it...just the right amount so that they do read as funny instead of cheesy. The action scenes are actually imagineable, like a little movie in my head (and I swear this book will be a huge movie someday) unlike so many other action books. And there is just the teeny tiniest dash of romance thrown in there so your heart smiles for a mere second but you are not in danger of gagging.
So the book was excellent, I absolutely can't wait for the next one, and I will 100% recommend it to everyone!!

704 of 798 people found the following review helpful.
Lacks restraint and development, but there's promise here
By Jonathan Cronin
I'll be honest, the only thing keeping me going with this book was the desire to write an authoritative review of it; to warn others to steer clear. Then, after I was finished, I read the author's note. This is a debut book by an indie author, a guy following his passion, who acknowledges that this is not a perfect book and seeks feedback. And that's part of the reason I picked it up in the first place, I liked the idea of someone with an (overly) ambitious story, bringing it to life and the community (overly) supporting it. So I'm not going to snark out and eviscerate this book as I was planning, but as the author requests, here are my thoughts:

1. Develop the characters and their motivations. This book is filled with throw away one paragraph backstories that are supposed to completely define the character. It's no exaggeration to say that one of the main character's motivation in the plot was derived from a death in 9/11, that might have had 3 paragraphs written to it in the entire book. There's a huge section of the book devoted to a diary substory, where the diary character is actually developed, you care about what's going on. I found myself disappointed when the focus would shift back to the main plot. Put the same effort into the main characters.

2. Pass on some ideas. This book is overly ambitious, it tries to account for every conspiracy theory and wrap it up into a single story. The idea sounds fun on paper, but good grief is it a mess in reality. The Nazi religious artifact missions, human evolutionary theories, Atlantis, 9/11, the cause of historic plagues, ancient shadow groups in an endless battle- it's so much, and so much is not necessary. The 9/11 reference is not explained at all, to the point where it's borderline offensive. There's a point towards the end of the book where a character casually mentions that he accidentally crashed a weather satellite into New Mexico in the 40s. For some reason, they thought we needed a Roswell UFO reference in there too, that served absolutely nothing; it's indicative of a lack of restraint throughout the book.

3. Choose a point of view. There's a scene in this book where two characters are walking down a hallway, and you're constantly jumping between the thoughts of each of them. Who's thinking what? It's confusing, and it also takes away all suspense if you know what all characters are thinking, all of the time. This happens throughout the book, with inner monologues and with plot revelations. You'll meet a character for the first time, and then they'll turn out to be someone else in 5 pages. It's not a twist if you don't string us along for a least a little while; it's kind of like a little kid who can't keep a secret and just blurts it out, it's better to keep it to yourself for a while.

4. Never put immortality on the table. How can I care about life or death situations, when you've introduced immortality to the story? All suspense died the moment we find out that technology exists to heal any injury, and to life for a practically infinite period of time. This is an extension of a greater issue in the book, the inability of the author to let go of characters. I would estimate that half of the characters in the book die or were thought to be dead, only to find out that they now aren't. The death of a character can be powerful emotionally and make me care about what's going on, but if you're constantly jerking me around with 'fake deaths', I'll just assume that nobody ever dies, and be largely correct.

5. Keep writing. This is a labor of love, without a doubt, someone cared about this story when they put it to paper. That was part of the problem, the author was unable to let some of their ideas and characters go. There's technical skill here, the action sequences are largely engaging(if not ridiculous, in one scene the main character shoots down a drone with a sniper rifle before leaping into a hot air balloon, wow). I feel like the environments are well described, and the world that is set up for the sequel (was published this fall), seems intriguing. Unfortunately, my time with the Atlantis Gene series is over with, I won't be reading the sequel. But people love this book on Amazon, and the author has sparks of promise. Keep growing, be discerning, and tell them your story.

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