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Slip behind the Iron Curtain into a world of smoke, secrets, and lies in this stunning novel where someone is always listening and nothing is as it seems.
Noah Keller has a pretty normal life, until one wild afternoon when his parents pick him up from school and head straight for the airport, telling him on the ride that his name isn’t really Noah and he didn’t really just turn eleven in March. And he can’t even ask them why — not because of his Astonishing Stutter, but because asking questions is against the newly instated rules. (Rule Number Two: Don’t talk about serious things indoors, because Rule Number One: They will always be listening). As Noah—now "Jonah Brown"—and his parents head behind the Iron Curtain into East Berlin, the rules and secrets begin to pile up so quickly that he can hardly keep track of the questions bubbling up inside him: Who, exactly, is listening — and why? When did his mother become fluent in so many languages? And what really happened to the parents of his only friend, Cloud-Claudia, the lonely girl who lives downstairs? In an intricately plotted novel full of espionage and intrigue, friendship and family, Anne Nesbet cracks history wide open and gets right to the heart of what it feels like to be an outsider in a world that’s impossible to understand.
- Sales Rank: #48216 in Books
- Published on: 2016-09-02
- Released on: 2016-09-02
- Original language: English
- Number of items: 1
- Dimensions: 8.56" h x 1.25" w x 5.88" l, 1.25 pounds
- Binding: Hardcover
- 400 pages
From School Library Journal
Gr 5–8—Fifth grader Noah Keller is surprised when both his parents pick him up from school and astonished when they tell him that his mother has been granted permission to do "dissertation research" in East Germany for six months—and that they're leaving immediately and temporarily changing their names. After learning "The Rules, as Explained by Noah's Mother," which include statements such as "they will always be listening and often be watching" and "don't ever talk about serious things indoors; in particular, never refer to people by name," Noah (now called Jonah) arrives in East Berlin with his family. A new friend, tragedy, and burgeoning suspicion about Noah's parents play out in a subtle and well-paced story about the months leading up to the fall of the Berlin Wall. Tension mounts as Noah continues to gain an understanding of the fear and desperation people feel, while readers are privy to "Secret Files" that provide historical context. Multidimensional characters are developed piece by piece to keep mystery and curiosity alive. Noah and his parents share a loving bond that grounds the plot and provides a shelter from the uncertainty and confusion Noah often feels in light of unfamiliar surroundings and jarring situations. Nesbet writes an interesting and nuanced narrative that weaves history, mystery, and friendship with enough action to keep readers engaged. VERDICT A great choice for those looking for a thrilling historical fiction or coming-of-age tale.—Kelsey Johnson-Kaiser, St. Paul Public Library.
Review
In this atmospheric page-turner set just as the Iron Curtain begins to lift, Nesbet deftly ratchets up the tension, using a close third-person omniscient narration to keep readers experiencing one unnerving event after another, just as Noah does...This is edgy, dramatic, and emotionally rich historical fiction that provides a vivid look into an extraordinary moment in history.
—Horn Book (starred review)
[Nesbet's] author's note reveals the personal history behind the novel, suggesting a labor of love that does show in the carefully crafted details and effective scene-setting...Nesbet's detail-rich novel offers tenacious readers an interesting window into the fall of the Iron Curtain.
—Kirkus Reviews
Nesbet writes an interesting and nuanced narrative that weaves history, mystery, and friendship with enough action to keep readers engaged. A great choice for those looking for a thrilling historical fiction or coming-of-age tale.
—School Library Journal
Nesbet gives readers a glimpse into life behind the Iron Curtain...Noah’s friendship with his neighbor Claudia is genuinely touching, and some truly tense scenes unfold as secrets are revealed and readers witness events leading to the fall of the Berlin Wall.
—Booklist
Through Noah’s innocent but perceptive eyes, readers receive a first-hand look at this secretive and highly controlled world. Post-chapter "Secret Files" provide fascinating historical context, but the story’s heart lies in the friendship between Claudia and Noah, and in the lengths loved ones will go to in order to break down even the most formidable walls.
—Publishers Weekly
Nesbet cleverly contextualizes events via "Secret Files" ... that follow each chapter, drawing fact and fiction together into entertaining little bundles.
—Bulletin of the Center for Children's Books
Told from the perspective of an eleven-year-old, the sounds, sights, and smells of East Berlin come vividly to life...Jonah is both credible and endearing. Even when his parents are secretive, he attempts to do the right thing. Side bars list pertinent historical facts. This makes an enlightening and inspiring choice for classroom units or book discussions.
—VOYA
Nesbet somehow manages to bring East Germany in 1989 to full-blown, fascinating life.
—A Fuse #8 Production (blog)
About the Author
Anne Nesbet is the author of the novels The Cabinet of Earths, A Box of Gargoyles, and The Wrinkled Crown. Her books have received starred reviews and have been selected for the Kids’ Indie Next List, Chicago Public Library’s Best of the Best list, and the Bank Street College Best Children’s Books of the Year list. An associate professor at the University of California, Berkeley, Anne Nesbet lives with her family in the San Francisco Bay Area.
Most helpful customer reviews
0 of 0 people found the following review helpful.
I cant' stop thinking about this one - great for kids who enjoyed A Night Divided
By Nikki Loftin
Stunning. I cant' stop thinking about this one - great for kids who enjoyed A Night Divided.
1 of 1 people found the following review helpful.
“None of us can safely be Alice … when it’s our friends who are cards in the desk.”
By E. R. Bird
Historical fiction is boring. Right? That’s the common wisdom on the matter, certainly. Take two characters (interesting), give them a problem (interesting), and set them in the past (BOOOOOORING!). And to be fair, there are a LOT of dull-as-dishwater works of historical fiction out there. Books where a kid has to wade through knee-deep descriptions, dates, facts, and superfluous details. But there is pushback against this kind of thinking. Laurie Halse Anderson, for example, likes to call her books (“Chains”, “Forge”, “Ashes”, etc.) “historical thrillers”. People are setting their books in unique historical time periods. And finally (and perhaps most importantly) we’re seeing a lot more works of historical fiction that are truly fun to read. Books like “The War That Saved My Life” by Kimberly Brubaker Bradley, or "One Crazy Summer" by Rita Williams-Garcia, or “My Near-Death Adventures” by Alison DeCamp, or ALL of Louise Erdrich’s titles for kids. Better add “Cloud and Wallfish” by Anne Nesbet to that list as well. Doing what I can only characterize as the impossible, Nesbet somehow manages to bring East Germany in 1989 to full-blown, fascinating life. Maybe you wouldn't want to live there, but it's certainly worth a trip.
His name is Noah. Was Noah. It’s like this, one minute you’re just living your life, normal as you please, and the next your parents have informed you that your name is a lie, your birth date is wrong, and you’re moving to East Berlin. The year is 1989 and as Noah (now Jonah)’s father would say, there’s a definite smell of history in the air. His mother has moved the family to this new city as part of her research into education and stuttering (an impediment that Noah shares) for six months. But finding himself unable to attend school in a world so unlike the one he just left, the boy is lonely. That’s why he’s so grateful when the girl below his apartment, Claudia, befriends him. But there are secrets surrounding these new friends. How did Claudia’s parents recently die? Why are Noah’s parents being so mysterious? And what is going on in Germany? With an Iron Curtain shuddering on its foundations, Noah’s not just going to smell that history in the air. He’s going to live it, and he’s going to get a friend out of the bargain as well.
It was a bit of a risk on Nesbet’s part to begin the book by introducing us to Noah’s parents right off the bat as weirdly suspicious people. It may take Noah half a book to create a mental file on his mom, but those of us not related to the woman are starting our own much sooner. Say, from the minute we meet her. It was very interesting to watch his parents upend their son’s world and then win back his trust by dint of their location as well as their charm and evident love. It almost reads like a dare from one author to another. “I bet you can’t make a reader deeply distrust a character’s parents right from the start, then make you trust them again, then leave them sort of lost in a moral sea of gray, but still likable!” Challenge accepted!
Spoiler Alert on This Paragraph (feel free to skip it if you like surprises): Noah’s mom is probably the most interesting parent you’ll encounter in a children’s book in a long time. By the time the book is over you know several things. 1. She definitely loves Noah. 2. She’s also using his disability to further her undercover activities, just as he fears. 3. She incredibly frightening. The kind of person you wouldn’t want to cross. She and her husband are utterly charming but you get the distinct feeling that Noah’s preternatural ability to put the puzzle pieces of his life together is as much nature as it is nurture. Coming to the end of the book you see that Noah has sent Claudia postcards over the years from places all over the world. Never Virginia. One could read that a lot of different ways but I read it as his mother dragging him along with her from country to country. There may never be a “home” for Noah now. But she loves him, right? I foresee a lot of really interesting bookclub discussions about the ending of this book, to say nothing about how we should view his parents.
As I mentioned before, historical fiction that’s actually interesting can be difficult to create. And since 1989 is clear-cut historical fiction (this is the second time a character from the past shared my birth year in a children's book . . . *shudder*) Nesbet utilizes several expository techniques to keep young readers (and, let’s face it, a lot of adult readers) updated on what precisely is going on. From page ten onward a series of “Secret Files” boxes will pop up within the text to give readers the low-down. These are written in a catchy, engaging style directly to the reader, suggesting that they are from the point of view of an omniscient narrator who knows the past, the future, and the innermost thoughts of the characters. So in addition to the story, which wraps you in lies and half-truths right from the start to get you interested, you have these little boxes of explanation, giving you information the characters often do not have. Some of these Secret Files are more interesting than others, but as with the Moby Dick portions in Louis Sachar’s “The Cardturner”, readers can choose to skip them if they so desire. They should be wary, though. A lot of pertinent information is sequestered in these little boxes. I wouldn’t cut out one of them for all the wide wide world.
Another way Nesbet keeps everything interesting is with her attention to detail. The author that knows the minutia of their fictional world is an author who can convince readers that it exists. Nesbet does this by including lots of tiny details few Americans have ever known. The pirated version of “The Wonderful Wizard of Oz” that was disseminated for years throughout the German Democratic Republic? I had no idea. The listing of television programs available there? Very funny. Even the food you could get in the grocery store and the smell of the coal-choked air feels authentic.
Of course, you can load your book down with cute boxes and details all day and still lose a reader if they don't relate to the characters. Noah could easily be reduced to one of those blank slate narrators who go through a book without a clear cut personality. I'm happy to report that this isn't the case here. And I appreciated the Claudia was never a straight victim or one of those characters that appears impervious to the pain in her life. Similarly, Noah is a stutterer but the book never throws the two-dimensional bully in his path. His challenges are all very strange and unique to his location. I was also impressed by how Nesbet dealt with Claudia’s German (she makes up words or comes up with some Noah has never heard of and so Nesbet has the unenviable job of making that clear on the page). By the same token, Noah has a severe stutter, but having read the whole book I’m pretty sure Nesbet only spells the stutter out on the page once. For every other time we’re told about it after the fact or as it is happening.
I’ve said all this without, somehow, mentioning how lovely Nesbet’s writing is. The degree to which she’s willing to go deep into her material, plucking out the elements that will resonate the most with her young readers, is masterful. Consider a section that explains what it feels like to play the role of yourself in your own life. “This is true even for people who aren’t crossing borders or dealing with police. Many people in middle school, for instance, are pretending to be who they actually are. A lot of bad acting is involved.” Descriptions are delicious as well. When Claudia comes over for dinner after hearing about the death of her parents Nesbet writes, “Underneath the bristles, Noah could tell, lurked a squishy heap of misery.”
There’s little room for nuance in Nesbet’s Berlin, that’s for sure. The East Berliners we meet are either frightened, in charge, or actively rebelling. In her Author’s Note Nesbet writes about her time in the German Democratic Republic in early 1989, noting where a lot of the details of the book came from. She also mentions the wonderful friends she had there at that time. Noah, by the very plot in which he finds himself, would not be able to meet these wonderful people. As such, he has a black-and-white view of life in East Berlin. And it’s interesting to note that when his classmates talk up the wonders of their society, he never wonders if anything they tell him is true. Is everyone employed? At what price? There is good and bad and if there is nuance it is mostly found in the characters like Noah’s mother. Nesbet herself leaves readers with some very wise words in her Author’s Note when she says to child readers, “Truth and fiction are tangled together in everything human beings do and in every story they tell. Whenever a book claims to be telling the truth, it is wise (as Noah’s mother says at one point) to keep asking questions.” I would have liked a little more gray in the story, but I can hardly think of a better lesson to impart to children in our current day and age.
In many way, the book this reminded me of the most was Katherine Paterson’s “Bridge to Terabithia”. Think about it. A boy desperate for a friend meets an out-of-the-box kind of girl. They invent a fantasyland together that’s across a distinct border (in this book Claudia imagines it’s just beyond the Wall). Paterson’s book was a meditation on friendship, just like Nesbet’s. Yet there is so much more going on here. There are serious thoughts about surveillance (something kids have to think about a lot more today), fear, revolution, loyalty, and more than all this, what you have to do to keep yourself sane in a world where things are going mad. “Alice Through the Looking Glass" is referenced repeatedly, and not by accident. Noah has found himself in a world where the rules he grew up with have changed. As a result he must cling to what he knows to be true. Fortunately, he has a smart author to help him along the way. Anne Nesbet always calls Noah by his own name, even when her characters don’t. He is always Noah to us and to himself. That he finds himself in one of the most interesting and readable historical novels written for kids is no small thing. Nesbet outdoes herself. Kids are the beneficiaries.
For ages 9 and up.
1 of 1 people found the following review helpful.
Utterly brilliant!
By Stephanie Samphire
This book is utterly BRILLIANT. It's exhilaratingly smart and fun, a wild ride from the very beginning, when 11-year-old Noah is picked up from school in Virginia by his parents only to be told his name isn't really Noah, he isn't really 11 after all, and they're heading to East Berlin (this is set in 1989, when the Wall was still up) IMMEDIATELY, using an all-new set of names and a made-up history he urgently has to memorize....oh, and that from now on, he can't ask any questions, because SOMEONE will always be listening from the moment they arrive in East Berlin!
It's a fascinating and enormously fun story full of secrets and codes and mysteries, the setting is incredibly rich...and oh, the emotional developments as Noah makes a true friend in one of his neighbors and is drawn into her own painful and mysterious story!
This was an utterly compulsive read from beginning to end, I enjoyed every moment of it, and the ending made me cry in a very, very good way.
I LOVED this book. The first thing I did when I finished reading was open up the Cybils nomination page, because I wanted to nominate it for the best MG (non-speculative-)fiction book of the year. But of course someone else had already nominated it! It really does deserve to win all of the awards.
I haven't been so blown away by any book I've read for a very, very long time.
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